Sunday, February 1, 2009

Hitler Head Medals


The first Hitler heads were what has been called "voting tokens". The earliest one bearing the date "Okt. 27, 1929". They were campaign tokens used by Hitler during his early political struggles to place before the people his likeness and the "hooked cross" symbol. The German word "hakenkreuz", swastika is a pure American indian word meaning "good fortune".

They were aluminum, had a 30mm diameter and the obverse bore a profile of Hitler facing left, as you look at the piece. Above is his name and below is "Der Fuhrer Aus Der Not" or "Leader of the Movement".

The reverses differ a great deal, but almost without exception they exhort the people to vote for Hitler. Some of the pieces give dates of the elections, some give the list number, others just state that he is the man for the job. They are hard to find in excellent condition for many reasons. Their age and the presend and post-war unpopularity of Hitler. Being aluminum many collectors consider them worthless. How many exist is difficult to say, thousands were made, hundreds of the different types were passed out to people on street corners. How many threw then away immediatly, how many slipped them in a pocket to save?

Along with the voting tokens (these type of medals are called tinnys by collectors because so many were made of tin or other cheap materials) were "Gau Pieces". As Hitler gained popularity and momentum he had Gauleiters to help him. A Gau is a Nazi district or precinct in Germany. With the precinct leaders to help pass out the voting tokens he spread his policies throughout Germany. The Gau pieces were basically the same, with few different variations. The obverse has a profile of Hitler, with a flowing coat, coller turned up. Some state "Der Fuhrer Dankt" (The Leader's Thanks). Others say W.H.W. and a date. W.H.W. is for Winter Hilf Werk (Winter Help Work... A charity to help the poor in winter). The actual work done was in trying to get Hitler elected. These Gau pieces were presented to the party members who got the vote for Hitler. They were usually copper or brass and silver plated. Their diameter is 35mm., some were pin backed, others were more likened to a medal, being cased. Most of the Gau medals carried the name of the Gau and seem to be dated 1934 or 1935. So they had to have been presented after Hitler got into office. He was elected Reichskanzler in 1933.

The Gau pieces and W.H.W. pieces overlap the W.H.W. type of Hitler head and is greatly varied. They run from the Gau type to being a personal presentation piece in solid silver. As some of the Gualeiters were very big in the Nazi party. Goebbles was the Gauleiter of Berlin, you can see that when the time came to pass our medals, one had to take into consideration the importance of the individual.

When Hilter attained office the obvious next step in Hitler heads is the commercial type which run from stickpin to statues, from gold to glass. One of my favorites is the crystal intaglio. An intaglio is a reverse sculpture were the back has been scooped out so that the likeness is three dimension when viewed from the front. This particular piece is 37mm by 31mm and is 5mm thick. There is a small hole at the top through which a ring could be placed. It is a bust of Hitler, below is his name. These pieces were made of all the leaders of Nazi Gemany and were in different colors. I imagine they were worn as jewelry by the women supporters of Hitler.


The government made pieces also come at this time, they were pieces with Hitler and Hindenburg, Hitler with Mussolini, Hitler and Chamberlain, also commemorative pieces commemorating Hitler's election, meeting with heads of other countries, dates or importance in the Reich and notable occasions.

James G. Fitch, "Hitler Head Medals", Das Hakenkreuz, 1970

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Sunday, December 28, 2008

Valkyrie Tries, Fails, to Kill Hitler

Much ado has been made about "Valkyrie," starring Tom Cruise as would-be Hitler assassin Col. Claus von Stauffenberg.

There is the release date, which has been moved around several times until finally being set for Christmas, the perfect time for a feel-good movie about killing Nazis. There's the marketing of the film: Is it a historical thriller featuring Cruise in an eye patch, or is it a straight-up action picture full of explosions? And then, of course, there is the Cruise factor itself — the fact that his very presence adds a layer of tabloid-friendly fascination.

Turns out Cruise is both the central figure in "Valkyrie" and its weakest link. He's distractingly bad in this, the iconography of his celebrity so strongly overshadowing his performance. He's just too powerfully contemporary. With his hard, flat American accent, he stands out in every single scene. And he's not a good enough actor to immerse himself in this kind of period piece, or allow us to do the same. (Then again, if he had affected a German accent — or a British one to blend in among his co-stars — he would have invited derision for that, too. Maybe the guy just can't win.)

It's too bad, too, because "Valkyrie" looks great. With its impeccable production design and German locations — including the Bendlerblock in Berlin, where Operation Valkyrie began and where members of the anti-Nazi resistance were executed after it failed — it feels substantial, never CGI-fake, and it moves fluidly. No one ever doubted the ability of Bryan Singer, director of the first two "X-Men" movies, to make a solid, energetic actioner. But — and this is going to sound like more piling on — Cruise undermines the potential of "Valkyrie" at every turn.

He's outclassed and outmatched by every member of the strong supporting cast, any of whom would have been more believable as Stauffenberg: Kenneth Branagh, Tom Wilkinson, Terence Stamp and Bill Nighy as fellow German officers, even Eddie Izzard, who's a unique and unexpected choice.

Then again, the script from Christopher McQuarrie, who won an Academy Award for writing Singer's breakthrough film "The Usual Suspects," never fully fleshes out his motivations. (Nathan Alexander is a co-writer.) Stauffenberg is depicted as a loyal but wounded army officer who loves Germany yet finds himself increasingly horrified by Adolf Hitler's rise to power.

But we never get a sense of inner conflict, of the doubt he may have felt in betraying his duties, of the fear he may have faced in putting himself and his family in danger by going through with the plan. When Stauffenberg states with clenched-jawed, hushed certitude, "We have to kill Hitler," we'll just have to take his word for it that he feels strongly about the task he's about to lead.

He joins the German Resistance for the last of several failed plots to take out Hitler, scheduled for July 20, 1944. Stauffenberg was to plant a bomb and then head a regime change known as Operation Valkyrie, based on Hitler's own emergency plan to keep the government running in case of his death.

As we all know from the start, that didn't happen — Hitler killed himself a year later — and surprisingly, Singer never generates enough suspense to make us forget that as we're watching. The whole effort feels rather smoothly detached. The actual bomb-orchestration sequence is well-staged and has a few breathless moments, but a scene that's supposed to be pivotal and poignant — when Stauffenberg reluctantly thrusts his partially amputated arm in the air and declares "Heil Hitler!" — instead comes off as laughable.

"Valkyrie," a United Artists release, is rated PG-13 for violence and brief strong language. Running time: 120 minutes. One and a half stars out of four....

Christy Lemire, Associated Press

Say what you will about Tom Cruise’s acting in other movies; in "Valkyrie," which opened yesterday, he is awful. Amid British and European actors, Cruise stands out like a sore thumb. He doesn’t even attempt a German accent, his mannerisms are all from his "Jerry Maguire" era, and his earnestness suggests at best some kind of fictional American soldier trying to infiltrate the Luftwaffe. You knew it would be bad, and it is.

I’m more concerned that “Valkyrie” could represent a new trend in filmmaking: Nazi apologia. We know already what Valkyrie is about: a group of German soldiers who tried to assassinate Hitler in 1944 and failed. Cruise plays Colonel Claus von Stauffenberg—referred to in this film constantly as “Stauffenberg”—as if to make him sound less German or something.

On top of that, there is the matter of the uniforms and the set design. Suddenly, we have German officers in World War II who are not wearing arm bands. Their swastikas are now small tokens on chests of medals. They look more like airline pilots than Nazi soldiers. When they meet, it looks like they’re at a lovely retreat in the Adirondacks. Director Bryan Singer is so sparing with his Nazi flags, swastikas, etc that you’d think the Nazis hardly existed. What’s everyone so upset about anyway?....

Fox News

Tom Cruise, his reputation defamed, his career desperately in need of a makeover, has chosen as his comeback vehicle a film in which he plays a Nazi officer who tries to kill Hitler. C'mon, Tom, you're not making this easy on us. Couldn't you have gone with a story that would allow your character to, oh, I don't know, succeed?

Valkyrie is the film, nimbly directed by Bryan Singer (X-Men) and based on a true story about an elaborate, complicated, almost-successful assassination attempt that occurred in 1944. Cruise plays Nazi Col. Claus von Stauffenberg, who at the film's outset has already been sent to the North African front as punishment for his outspokenness against Hitler (although he must not have been too outspoken, since he's still alive). He's one of a growing number of officers who believe that, as he puts it, "We can serve Germany or the Fuhrer, but not both." Germany is losing the war under Hitler's direction; the only hope is to remove him from power, cut their losses, and make peace with the Allies.

Once Stauffenberg's opinions become known throughout the underground, he's brought into the inner circle of coup plotters, whose numbers include a lot of high-ranking German officers -- a lot more than you'd think a cabal could have and still remain secret. Unfortunately, with their similar uniforms, their matching British accents, and their near-universal middle-aged-white-maleness, it's hard to keep track of them all in the film, but they're led by Major-Gen. von Tresckow (Kenneth Branagh) and Gen. Beck (Terence Stamp), now retired from duty but still keenly interested in the future of Germany. Gen. Olbricht (Bill Nighy) is onboard but overly cautious; Gen. Fellgibel (Eddie Izzard) is a communications officer whose cooperation will be vital; and Gen. Fromm (Tom Wilkinson) -- by far the most interesting of the lot -- manages to endorse the plot without doing so openly, thus remaining sufficiently two-faced to save his own neck....

film.com

There are more... but why bother?

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Thursday, October 2, 2008

The SA - The Founding years

The history of the Sturmabteilung of the National Socialist German Party began in southern Bavaria sometime in 1920, originating as a small isolated group of men, eventually designated Rollkommamdo, or hecklers, whose main function was to prevent the Social Democrats and Communists from disrupting Party meetings.

Historians such as Robert G. L. Waite and Max Gallo suggest that the Sturmabteilung had indirectly descended from the Freikorps movement of the post-World War I years, but this is not necessarily true. Inhis book, The Night of Long Knives, Gallo writes that, "the SA was recruited from the hardened veterans of the Freikorps, the marinebrigade of (Hauptmann) Lowenfeld: from the Jagerkorps, commanded by General Maercker; and from the Escherich Organisation" This statement is quite convincingly contradicted by the historian James M. Diehl,who states that "unlike the military associations, (the Sturmabteilung) had never been involved in the (Bavarian) Civil Guard or Free Corps movements, but instead had originated as a small, specialized force with a political party.

Certainly former Freikorpskampfer, namely Hauptmann Hermann Ehrhardt of the Brigade Ehrhardt, did become involved in the organization of the early SA, but it is imperative to point out that the Sturmabteilung was the result of the chaotic environment of the early 1920s; itwas created for a specific purpose, that being to serve the political furtherance of the struggling NSDAP. In view of the rivalries that the Party had to contend with in these early years it could be said that theSA was largely responsible for the survival of the Nazi Party. Until Hitler became the head of the German Workers Party, the DAP was perhaps the weakest, most impoverished and and insignificant of the parties of both the left and right wings. When he attended his first meeting, held in a dingy back room of the Sterneckerbrau in Munich, he said to himself, "Furtcherlich, furtcherlich! Das war ja eine Vereinsmeierei Allerangster Art und Weise! (How dreadful! This is a wretched little group of the feeblest sort!" He opened the door to the room where the meeting was being conducted and beheld the entire membership of the DAP'S committee - four men. But soon Hitler became the chairman of the Party and in 1920, he christened it with a more influential-sounding name - The National Socialist German Workers Party.

As Hitler began to enjoy some popularity, a strong-arm squad was necessary to guard him when he spoke in public, for he spared no one with his criticisms and vicious verbal attacks. The next stage in the evolution of the SA came in February 1920 in the form of a group of volunteers (Zeitfreiwillingen), who were reputedly members of a mortar unit of the Munich Reichswehr. Their responsibility was to guard theentrances to the meeting place and the podium against attacks. These Zeitfreiwillingen, clad in the field grey of the Reichsrwehr, were illegally armed with blackjacks and pistols which had been procured for them by Hauptmann Ernst Rohm. While Rohm had not entirely cast his lot with Hitler, he did become the unofficial ordnance specialist in waffenschiebungen, or the illegal procuration of arms. In the 1920s Rohm was the chief of staff to the military commandant of Munich, General Franz Ritter von Epp, and he had also served as a general staff officer in the Schutzbrigade Epp of the 7th Bavarian Division. Both he and von Epp supported the Black Reichswehr, the government troops who were illegally armed, according to the specifications of the Treaty of Versailles. After the attempt by Wolfgang Kapp to overthrow the government in March 1920, the field grey uniform was forbidden within the NSDAP. Now that the closely watched, Rohm and von Epp were forced to curtail their support of covert para-military nationalistic societies.

Hitler worked aroung the uniform ban by clothing his guards in civilian dress, with the Party brassard as the only outward indication of their affiliation with the NSDAP. The Zeitfreiwillingen were also givena new name; they were now designated as Ordenertruppe, Whose purpose was, in Hitler's own words, (to maker) it possible to hold meetings, which without (then Ordnertruppen) would have been simply prevented by the enemy." The Ordentruppe were soon disbanded as the government began cracking down on antagonistic societies. However, they reemerged under the Intentionally misleading name of "Gymnastic and Sport Detachment" in the summer of 1920. The term Turn-und Sportabteilung was a paper-thin disguise for a group of men - a small party army which was used not only as guards at meetings, but also to harass and fight the opponents of the NSDAP. In November 1920 the Turn-und-Sportabteilung was better organized and placed under the command of the twenty-three year old Emil Maurice, an ex-convict and former watchmaker. Therefore Maurice was technically the first leader, though by no means the first Stabschef ( a term which had not yetcome into use) of the Turn-und Sportabteilung.

The title of Gymnastic and Sport Detachment perhaps fooled no one, but it pacified the government, which feared more civil war between rival para-military groups. But this "SA" continued to carry out its function, in spite of what its new name implied. Kurt G.W. Ludecke described them as they appeared at a gathering of the Nationalsozialistische Deutsche Arteiter-Partei at the Zirkus Krone in Munich on August 11, 1922.

"...I found the Zirkus so jammed that there was scarcely room for a pin to drop. Around the platform was grouped a guard of SA men..., husky fellows who looked ready to cope with any situation. I could see the need for them, for it was apparent that the Nazis, more than any other in those days, were daring to assail the Jews, the Communists, the bourgeois round-heads, denouncing what they believed evil. More (SA men) encircled the raena and flanked the aisle weading to the tribune. All of them wore red armbands, bearing the now famous symbol - a black swastika in a white circle."

As Hitler gained political and psychological ground during the 1920s, his opponents were watchful for an opportunity to crush his Party publicly and damage his growing influence. And due to this expanding prominence Hitler realized that he would be threatened as never before, therefore in addition to this Tern-und-Sportabteilung, he established a Saalschutz (hallguard) to further insure strength in any situation. The men of the Saalschutz were hand chosen by Hltler, and he instructed them to fight showing absolutely no mercy. He expected no less from them than a bloodbath; and each man knew that if he did not perform accordingly that it would mean serious consequences from him - he was even threatened with punishment by death. Hitler vowed to personally tear the Party Kampfbinde from the sleeve of any of his men who showed cowardice or pity.

In the summer of 1921 Maurice left the Turn-und-Sportabteilung and was replaced by an ex-naval junior officer and former member of the Brigade Ehrhardt, Leutnant Hans Ulrich Klintzsch. By early August the SA was still officially referred to as the Gymnastic and Sport Detachment, and the first serious attempt to increase enrollment was made when an advertisement was placed in the Volkischer Beobachter that year. Unlike recruitment campaigns conducted by the Army, the SA directed its pitch to those German youths who were too young to have been veterans of the Great War, roughly the ages of seventeen through twenty-three. Since the SA was to be political and not military, it did not necessarily seek veterans to serve in its ranks, but it was placed under the supervision of the Munich Reichswehr for a time. At 'Hitler's request Hauptmann Ehrhardt loaned several of his officers to aid in the reorganization of the SA; Ehrhardt also gave the SA money to buy supplies.

What the SA lacked in finances, it compensated for in a sort of twisted patriotic fervor. According to both Nazi legend and respected historians, the SA proved itself to be a valuable asset to Hitler in a decisive Saalschlacht on November 4, 1921 at the Hofbrauhaus am Platzl, when about seven hundred opponents of the Party, both Communists and Socialists, attempted to break up the meeting. The Festsaal of the Hofbrauhaus had been chosen because, as Hitler explained, ". . . we considered (it to be) most unsuitable for a Sprengund (disruption). We had feared it in larger halls, especially in the Zirkus." Ludecke claims that only fifty Party members were there, but the Munich SA had reported only a month earlier that it had listed on its rolls more than three hundred members. While there is a major discrepancy in estimates of the number of SA men at the meeting, the Nazis were definitely greatly outnumbered. Quite remarkably, a lively account of the evening's fight was recorded by an elderly woman, a shopkeeper by the name of Frau Schweyer, whose modest establishment had been frequented by Hitler in the early years (he often bought turnips and radishes there). The meeting was scheduled to begin at eight o'clock that evening, and a large crowd of men and women had turned out to hear Hitler speak. Guards were posted at the entrances and around the speaker's platform.

Parteigenosser Hermann Esser opened the meeting with a few remarks and then introduced Hitler. The many Communists in the crowd heckled him for a moment, and then settled back and allowed him to speak for more than an hour. Frau Schweyer noticed that "whenever more beer was called for, instead of giving up the empty mugs, fresh ones were brought, and the old ones placed under tables." Indeed trouble was in the making. Suddenly a voice in the crowd shouted, "Freiheit!" and a mug crashed against the floor. "A real battle it was!" I shan't forget it as long as I live. If I hadn't kept my head low over the table, like all the rest of us women were told to do, sure as fate it should have been clean knocked off my shoulders. The beer mugs were flying around that night something alarming." During the hail of beer steins Hitler made no attempt to take cover, nor was he injured. Whether by accident, or as he claimed, in order to protect Hitler, Rudolf Hess was hit in the head by a mug that had been thrown at the speaker.

By sheer force, and with the aid of broken chair and table legs the SA bodily threw their blutuberstromtig opponents out the doors and windows of the Hofbrauhaus and onto the street. Hitler watched as the Communists and Socialists were beaten and then Esser got to the platform and announced that : "die versammlung geht weiter...." Hitler concluded his speech and the meeting ended upon the arrival of the police, who informed the Nazis that they would have to pay for the damages to the Hofbrauhaus. Hitler was so impressed by the performance of the SA and the Saalsthatz that he officially proclaimed that November 4, 1921 was the founding day of the SA,' now called the Sturmabteilung der NSDAP, Emil Maurice, recently retired from the SA, and Rudlof Hess apparently proved themselves to be quite good fighters. An SA publication distributed around 1934 asked, rather smugly, "What does a number mean? An experience of battle, a fight in the barroom, in injury of (one's) own body, a burning scar, and the sight of a marching brown column mean much more than numbers." The battle of November 4, 1921, which lasted less than a half-hour, perhaps won more converts to the Movement than did Hitler's speech. The towns people were amazed, for they had suffered so greatly under the Communists proclaimed Soviet Republic in Munich, and under Kurt Eisner's Socialists. Until this night no one had really stood up to them and accepted their challenge to fight - and won.

Hitler later commented on the significance of the Saalschlacht of November 4: "For the first time the opponents of our movement succeeded in interfering in one of our meetings in an extremely disruptive manner. With this gathering the need for the founding of our SA had for the first time become clear to even the simplest minds. The opponent must know that every attempt to disrupt gatherings will meet with ruthless resistance. . . ."


Hitler began working to fashion the SA into a political force that would be the carrier of National Socialist propaganda and intimidation, but Rohm, who still belonged to the Reichswehr and had not yet joined the NSDAP, completely disagreed. He thought that the SA should be trained like an army and, what's more, he wanted the command of the Sturmabteilung from Klintzsch. Without consulting Hitler, Rohm assembled some one hundred men from the 19th Minenwerferkompanie, led by a Hauptmann Streck, to begin this training. The youthful Klintzsch would have been no problem for a strong willed person like Rohm, but Hitler put a stop to Rohm's plans. Hitler had clearly expressed his idea of of the SA's purpose in a speech in Munich on November 30, 1921. Referring to the SA as his Sturmtrupp, he told a gathering of SA men that it was their responsibility to harass and disrupt their opponents' meetings. SA men stationed throughout the hall were to heckle the speaker until he made his position on the Jewish question known. The SA as an Army was out of the question. As the SA adequately performed its tasks, it quickly gained a reputation for being a group of ruthless and vicious thugs, to which Hitler remarked: "This makes me uncommonly happy, for I expect that my efforts and my Party will become feared and at the same time known." He went on to explain that the SA was ". . . trained to attack (its opponents) blindly. But not because it - as it was babbled in stupid German national circles - idolized the rubber truncheon, but because it realized that (even) the greatest spirit can be eliminated if its carrier is beaten to death by a rubber truncheon. . . .''

Jill Halcomb, "The SA - A Historical Perspective", Crown/Agincourt, 1985

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Sunday, August 31, 2008

Hitler's Gold Party Badges

The most valuable Golden Party Badges in the world changed hands in April in Hamburger, Germany, for more than $15,000 They were a 23.5 mm badge and a 30.5 mm badge belonging to Adolf Hitler and numbered "7". Their appearance solved a mystery regarding the numbering of Hiter's badges.

Oh, but you say you had read that Hitler gave Magda Geobbels his personal Golden Party Badge in the bunker just before the fall of Berlin. He did. And that one was made of solid gold, and it disappeared, probably forever, in the flames covering her body in the bunker yard.

These two recently surfaced badges belonged in the collection of Elfriede and Leo Raubal, the children of Angela Hitler, a daughter of the marriage of Alois Hitler (Adolf's father) with Franziska Merlelsberger. She kept house for her half brother Adolf until 1936. Her second daughter, Angela (Geli) was Hitler's great love, who committed suicide.

Before attempting to clarify the differences between real and fake Golden party badges, there are some other discrepancies that need our attention, referring to the number on Hitler's badge and, indeed, his ranking in the Party.

First, on page 236 of Volume l of "Mein Kampf", Hitler states; So I enrolled myself as a member of the German working class party and received provisional membership card with number "7".

The golden party badges belonging to Elfriede and Leo bear the number "7", and have been thoroughly authenticated. They came into the market with a large horde of very personal items belonging to the family, including Geli's personal photo album, itself extremely rare and valuable.

The appearance of these badges solves some puzzles.

In his excellent reference book for Fuhrer and Fatherland, Political and Civil Awards of the Third Reich, Ltc. Angolia points out that party members up to number 100,000 (who had uninteripted service from February 27, 1925 toNovember 9, 1933) received the Golden Party badges on that November 9, the 10th anniversary of the Munich Beer Hall putsch.

Hitler received these two badges. They are numbered "7" and are bronze with fire-gilding and enamelled center. On the plate of the pins is the marking ''Deschler & Son, Munich 9. GES. GESCH.'' and, of course, the number "7".

According to Geil's mother, Hitler donated these badges to the Party several years later (presumably he or Treasurer Schwarz actually gave them to Geli's mother as a memento), and in exchange Hitler received two new Golden Party badges of solid gold. These were almost certainly renumbered "7", one of which he gave to Magda Goebbels during the Golterdmmerung; the other to Frau Hess under far different circumstances, at the peak of his career in the late 1930's. (Frau Hess has sworn Hitler did give her his Golden Party Badge at that time and that it was definitely numbered "1" and not "7".)

These badges had not surfaced for some 43 years and Author Angolia almost certainly did not know of them when he wrote that Hiter never held Party number 7.

(As an interesting aside, Hitler's personal Blood Order badge had no number. It was thought Number 1 belonged to Rohm and Number 2 to Hess, and Himmler had number 3. All according to Patzwail's "Der Blutorden der NSDAP".)

But back to the Golden Party Badges. While most collectors know that Party members up to number 100,000 (who had the uninterupted service) received golden Party Badges on November 9, 1933, and that many other honorary Golden Party Badges were later awarded, the enigma of "real" versus ''fake'' has always been a struggle for them. While the comments below are not meant to be a definite dissertation on Golden Party Badge fakes, perhaps some of the more obvious differences will help you distinguish the genuine from the replica. A well made fake, particularly when you do not have a original with which to compare it, looks very real.

In the photo are three badges. One is fake. Can you identify it? It's the large one at the bottom.

Look very closely and I'll point out some discrepancies (always compare apples to apples... the large badge to the large badge in this instance.)

First, look at the "O" in Solialislische. The real one (in the large badge) is a circle, in the fake it's an oval. Now look at the swastika.Thin in the fake; stubby and fat in the real badge. Also obvious, when you look closely , are problems with the oakleaves. The real badge featured double lobed leaves, with the topmost of one leaf virtually lying over the stem and lower lobe of the leaf underit . (There were two versions of oak leaf patterns, one with pointed leaves and one with rounded ones.) At any rate, look for that overlay, much like a ''spread'' of a deck of cards, one lying over the bottom third of the one below in. In the fake badge the leaves not only look different, they do not appear to be ''overlaid'' with one another. They also appear to have a vein pattern and in fact a ''ridge'' down the center. On the real badge they are smooth. Finally, the fake badge has a ridged ''border'' all the way around it. The real one does not.

A myth exists about the pins on the backs of the badges in that all real badges should have safety type pins. This is not true. The early badges all had horizontal "safety pin" type catches. But these broke easily and later badges had the vertical stronger pin, as does this fake. Most of the honorary badges as illustrated in Angola's book, have the vertical pins.

We do not have a small fake pin for comparison in this photo, but the one in the picture is real. Its leaves are more like darts and they lie on a ridded partern like a closely-tied railroad track.

Mickey Huffman, "THE MOST VALUABLE GOLDEN PARTY BADGES AND THE MYSTERY THEY SOLVED", Der Gauleiter, 1988

Note: The photos above were taken from this article in "Der Gauleiter". Unfortunatley, 1988 was before we had digital photography and reproducing photos was alway a problem in printing the magazine. I did the best I could with them. If you want to see more you can search the net and find pictures of both original and fake badges. Bob

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